Memento Mori, Revisited

Back in April I shared a post entitled “Memento Mori, or Don’t Get Comfortable.” It was inspired by the sense of urgency I saw in the saints highlighted in Fr. Gaitley’s guide to Marian consecration, 33 Days to Morning Glory. In my reading this summer—particularly Praying With Padre Pio and The Little Flowers of St. Francis (which I’m reading now )—I continue to see this urgency. No sooner is a sin perceived than repentance and penance are undertaken; no sooner does an opportunity arise to serve or suffer than it is pursued to the full; no sooner is a prayer answered than praise and thanksgiving erupt.

LittleFlowersStFrancisCoverThis urgency is particularly edifying to me. Not only do I have a marked tendency to overestimate what I can achieve in the time I have, but I am also tempted more to presumption than despair. In other words, I’m inclined to coast and hope for the best—which is fine for a thing with wheels, but on two legs, usually turns into a long tumble downhill. Continue reading

Book Break: A Canticle for Leibowitz

LeibowitzBeing without work these past few weeks, I’ve had more time than usual to read. Last weekend, I finished Walter M. Miller’s 1959 novel A Canticle for Leibowitz, a book recommended to me by three of the smartest men I know. Set in post-apocalyptic America in the centuries following a nuclear holocaust, it tells the story of the monks of the Albertine Order of Leibowitz, who scratch their livelihood from the rocks and dust of the southwestern deserts and dedicate themselves to their founder’s mission of extracting knowledge from the rubble of the previous civilization and preserving it for the future. Continue reading

Nothing Safe

This past weekend was Albertville Friendly City Days, our little town’s version of an annual summer festival, featuring  a softball tournament, a pedal-power tractor pull, the Miss Albertville competition, live music, carnival rides and games, fireworks, clowns, and more. The highlight for our family each year is the parade — one of the biggest and best in Wright County, with more than 100 entries including several marching bands. The past few years we’ve enjoyed the spectacle from a beautiful old home on Main Street, right next to the announcer and judges booth, so everyone is looking and performing their best, and candy is tossed by the handful. This year we enjoyed the additional treat of Trevor’s debut as a percussionist in the STMA Middle School Marching Band, playing quads (technically quints, I suppose, since his drum harness has a tiny fifth tom, not just four).

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Trevor and bandmates marching

Earlier we had been discussing what we love and don’t love about Friendly City Days. Lily was strongly urging that we walk down to the carnival and at least check out the rides; Jodi and I weren’t anxious to do so. A friend agreed with us: Traveling carnival rides especially made her nervous, she said — so much so that she has been known to pay her children not to go, still spending less for peace of mind than she would have for ride tickets. She even shared a story about a girl who was scalped when her hair got caught during a ride on a classic old Tilt-a-Whirl.

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Jodi and Lily sliding

Although we rode the Ferris wheel, the carousel, and the giant Fun Slide last year, by and large, we agree. Anything that’s moves and spins and is not bolted down is just asking for someone to get hurt. Or throw up. Or both.

On the other hand…

What is it about a Tilt-a-Whirl, anyway? I used to love that ride: the unsteady motion of the platform, the off-kilter slide into your friends as your car tilted and spun sideways, first one way, then the other. Yeah, sometimes people puked (I never did), but that was part of the excitement — the sense that anything could happen, at any moment. You felt alive.

Dead people don’t barf.

I think I’ve discovered that ride was so appealing — and why I don’t care to do it anymore. Think about it: what else do we experience that is tilted, spinning, unstable, and potentially dangerous; that sends us careening into the people closest to us; that makes us laugh, cry,  and hurl?

We don’t need some old carnival clunker. We spend all day, every day, on a massive, unhinged Tilt-a-World. As a kid, the simulating is stimulating. As adults, it’s too real, like when you’re watching The Office and can’t laugh because you actually lived through that particular episode.

And it’s not safe. This world is broken, grimy and off-balance, hurtling through the cosmos, and run by grubbing scoundrels, leering ne’er-do-wells and lazing doofuses. We’ll never make it out alive — and yet, here we are: leaning, laughing, spinning…

So let go. Whatever you’re clinging to can’t keep you safe anyway. Let’s throw our hands up and enjoy this ride — together!

Featured photo at the top of the post: Abandoned Tilt-A-Whirl By Derrick Mealiffe from Toronto, Canada (Wet n Wild) [CC BY-SA 2.0], via Wikimedia Commons

 

Lost Howls of Youth


Now it seems like too much love is never enough/You better seek out another road/’Cuz this one has ended abrupt — Temple of the Dog, “Say Hello 2 Heaven”

I woke this morning to a text from an old friend that Soundgarden frontman Chris Cornell had died. A short while later I saw another friend had tagged me in a post on Facebook: it occurred after Soundgarden’s apparently triumphant return to Detroit last night, and the early speculation is suicide. He was 52.

I don’t generally go in for the extended mourning of celebrities. They are just folk, like we are: pray for their souls, and for peace and consolation for their families. Then again, sometimes a song, an image, a voice is so tied to a particular period in one’s life that there is no escaping the impact. Chris Cornell’s voice was the howl of my youth — the closest thing to a rebel yell I ever sounded in my relatively serious and square teens and twenties. His bands — especially Soundgarden and Temple of the Dog — were a part of me in my younger days. Continue reading

God’s Love Is Mercy

84764-divinemercy“Proclaim that mercy is the greatest attribute of God.” – Jesus to St. Faustina

Devotion to Divine Mercy is not every Catholic’s thing. Some people struggle with the image of Divine Mercy: Jesus, His right hand raised to bless and heal, His left indicating his heart, from which rays of red and white, symbolizing blood and water, pour forth as a fountain of mercy for souls. Every version I’ve seen has been a bit mysterious and unsettling—which seems appropriate, given that it’s a vision of the resurrected Christ.

Some don’t like the chaplet, which is simpler and more repetitious than the rosary. Some consider the visions of a poor Polish nun to be private revelations: fine for her, but not necessary for us (even though she is a saint and was canonized by another saint).

Continue reading