faith
Dante, or Three Things to Love About the Divine Comedy
Blogger’s Note: Several years ago, I agreed to my friend Jacqui’s challenge to read 15 Classics in 15 Weeks. I continue to press forward, this being number 13 of 15, and at this point 15 Classics in 15 Years seems quite doable…
Late last week I finished reading Dante Alighieri’s Divine Comedy in its entirety for the first time. I had read excerpts for different classes over the years, and have read a little about the great work. The book itself was something of a pilgrimage through hell, purgatory, and heaven. This is my least favorite of the thirteen classics I’ve read so far as part of this challenge, and was tough sledding at times. Nevertheless, I do agree that this is a great literary work and worth the effort to complete at least once.
Without further ado, Three Things to Love about Dante’s Divine Comedy:
- The Ambition. Dante the poet takes us on a journey through the Inferno (Hell), Purgatorio (Purgatory), and Paradisio (Heaven) with Dante the Pilgrim in order that the fictional Dante may change his ways and be saved. Each of these three journeys are told in verse, thirty-three cantos each, with each canto approximately 140 to 150 lines long. Along the way he meets ancient and more recent historical figures, who comment and prophesy on the political and religious turmoil of Dante’s time and place, along with sharing their own experience in the world and in the afterlife. The running commentary on the political machinations and rivalries in Dante’s home was the least interesting aspect of the book for me, but it is nonetheless impressive how much he weaves into this ambitious work.
- The Creativity. The denizens of Hell and Purgatory, in particular, suffer in hundreds of ways peculiar to their specific sins and attachments. Dante’s Hell is hellish, disgusting and terrifying at times, culminating in an immense figure of Satan, not surrounded by flame, but eternally frozen in ice, suffering for his own sins. The journey through Purgatory is hopeful, but not easy, as imperfect souls labor to let go of those earthly things that weigh them down. Heaven, to me, was actually the least interesting of the three, in part due to the poet’s continued insistence that the beauty of the place was beyond his words and ability — but persevering to the end, to full union with God in the beatific vision, has its rewards. The last few cantos are lovely.
- The Deep Belief. This, to me, is the greatest aspect of Dante’s masterpiece: the depth of theology, of faith, of true belief. Dante believes in the reality of Hell, and he puts people he loved in this world in that place of torment because of their sins. He peoples his poems with friends, contemporaries, nobles, and popes, explaining how and why each fell or rose, and when Dante the Pilgrim is asked to testify to his own faith, the lines resonate as the poet’s own sincere profession. Who knows how accurate a portrayal of the afterlife these poems are, but Dante gives us much to contemplate as we navigate this world.
I have begun number fourteen of fifteen classics, Tolstoy’s Anna Karenina, with that great opening line: “All happy families are alike; each unhappy family is unhappy in its own way.” It is a long book, but engaging— I hope to be done within the month!
Summer School
– St. Ignatius of Loyola
Life-Giver
Blogger’s Note: My bride and I are celebrating 20 years of marriage today.
He worked wonders with wood. Miters and joints so tight you could scarcely see them, sanded to liquid smoothness and pegged to perfection. When the Spirit struck him, he could carve, too—with such precision and attention to detail his eye seemed to see beyond the grain to the beauty within. In his hands, the transformation from seed to sapling, tree to table seemed a natural progression, a God-given purpose only he could unlock.
He was known in Nazareth as a hardworking and honorable man. Rumor had it he was descended from kings. But he was quiet, mostly; humble and discerning. He had an eye for wood, and for one girl, who was promised to God. It seemed a significant obstacle. He lived alone.
Then one day, God moved. Specifically, He beckoned—calling the unmarried men of David’s line to the temple, seeking a husband for this most favored daughter. Joseph came as he was bade, sandals on his feet, a shaft of wood, light and strong, in his hand. There she was. There he stood, one of several silent men waiting, expectantly, for a sign. The priest conferred with her parents.
God help me, he thought, for her I would work such wonders. But I am just a carpenter.
She raised her eyes and met his—met, and held. The staff in his hand shuddered and creaked as green shoots sprang forth from the top, unfurling into leaves and three soft white lilies.
Joseph’s gaze fell to the flowers above his trembling hand. The others gasped and murmured in amazement: The dead wood had bloomed!
Mary smiled. She was a woman, after all.
Be the Bedrock
Everyone who listens to these words of mine and acts on them will be like a wise man who built his house on rock. The rain fell, the floods came, and the winds blew and buffeted the house. But it did not collapse; it had been set solidly on rock. – Matthew 7:24-25


