Since we first saw ads for it circa 2010, I’ve been wanting to watch the 2011 Spielberg/Abrams sci-fi/suspense movie Super 8. Eleven years later, it’s on our youngest son Trevor’s list of movies to watch this summer, so we made it our Father’s Day, too-hot-to-be-outside choice today.
That was a good call.
The trailer is no lie: This movie evokes movies like E.T. and The Goonies, but with a more menacing edge. Think Iron Giant crossed with A Quiet Place: sweet, nostalgic, suspenseful, and genuinely scary, with enough blood and expletives to earn its PG-13 rating, but not enough to make you change the channel if watching it with your older kids.
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I recently finished an English audio version of the 1828 Italian novel The Betrothed by Alessandro Manzoni on Audible. I first learned of this book—apparently the most famous and widely read novel in the Italian language—from a post by Joseph Pearce on the Imaginative Conservative website with the provocative title, “The Betrothed: The Greatest Novel Ever Written?” That caught my eye, because, as a somewhat educated person, I had never heard of it.
I also share all this information to distinguish this book from a much more recent young adult romance novel and two-book series of the same name by Kiera Cass. This is NOT that.
Instead, this is a wonderful historical novel set in the 1600s in Lombardy, Italy (pictured above), telling the story of two young, relatively poor, and essentially good villagers preparing for their much-desired marriage, and a cowardly priest who refuses them the sacrament after a tyrannous local lord threatens his life if he should join them. The fearful parish priest is balanced by two heroic clergy, a Franciscan friar who serves as a father and spiritual director to the pair, and the real-life Cardinal Federigo Borromeo, the heroic and holy archbishop of Milan, whose pastoral efforts bring about novel’s conclusion.
What struck me most about this novel is how timeless great literature actually is. The book is about many things, each as relatable today as in the time it was set and the time it was written, including:
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A few weeks ago, I attended a day-long training to become a home visitor for our local conference of the Society of St. Vincent de Paul. The most compelling part of the training was the section on what poverty looks like, from the perspective of the person living through it. This segment of the training was led by a man who was born and raised in some of the roughest areas of Chicago and Minneapolis, who was hired by the Society of St. Vincent de Paul as a teen and loved and accompanied for years, through numerous trials and triumphs. Today he is a college-educated husband and father, a successful manager and talented speaker on the state and national level, and a Vincentian for life.
The training was thought-provoking and convicting; it, along with learning more about my own ancestors’ struggles with poverty before I was born, led me to want to dig deeper—which in turn led me to another unread book on my shelf: The Jungle by Upton Sinclair.
Sinclair was an influential muckraking journalist, author, activist, and political candidate at the turn of the 20th century. The Jungle is his fictional but detailed and realistic account of power, corruption, and poverty during this time, particularly in the stockyard district of Chicago. The book follows one immigrant family from Lithuania, who moves to America on the promise of plentiful work for good wages, and finds a corrupt system of capitalists and politicians of every stripe, at every level, keeping prices high and wages low, controlling everything from housing and food supplies in the neighboring slums to law enforcement, inspections, and elections—and driving workers to desperate measures to avoid death by illness, exposure, or starvation.
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I was blessed, on my trip to Michigan and back in the past few weeks, to listen to The Space Trilogy by C.S. Lewis in its entirety. The version available on Audible, narrated by Geoffrey Howard, is approximately 24 hours of continuous listening, and worth every minute. The three books of The Space Trilogy were certainly inspired by classic science fiction of the last century, but combine these influences with fantasy, mythology, horror and Christian theology.
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- The first book, Out of the Silent Planet, is the most sci-fi of the three, delving into interplanetary space flight and exploration, extraterrestrial life-forms and more. A British linguist named Ransom is shanghaied onto a spaceship bound for a nearby planet known by its native inhabitants as Malacandra. He escapes his captors to discover multiple rational animals with very different appearances, skills and abilities, and cultures, who nevertheless live together in good-humored and mutually beneficial peace. Slowly Ransom abandons his earthly notions of power, control, and desire and strives to help the natives against the other Earthlings who seek to exploit them.
- The second book, Perelandra, is a science-fantasy tale also involving interplanetary travel and extraterrestrial life to frame a retelling of the temptation of Eve in the Garden of Eden. Ransom agrees to travel to the planet Perelandra on an urgent mission, but with no idea what that mission is. He encounters a lone humanoid woman who lives in harmony with the world and creatures around her and is searching for her man. An old adversary arrives from Earth to tempt the woman into disobeying the higher powers she knows on Perelandra, and Ransom must again fight against his fellow man as well as demonic activity to save a pristine world from importing Earth’s sin.
- The final book, That Hideous Strength, is as long as the first two books combined and takes place entirely on Earth, specifically, in England. It continues Ransom’s tale in a story combining dystopian fiction, Arthurian legend and horror to critique materialism, modernism, politics, education and contemporary ideas of gender and marriage. It follows a young sociologist striving to get ahead in his career by joining a new and increasingly powerful national scientific insitute, while his wife, who is struggling with bad dreams that appear to predict the future, falls in with a small band of local resistance led by an eccentric old linguist who is rumored to be contact with powerful extraterrestrials who are pure spirit and are preparing for a final battle over the fate of the Earth.
Many years ago—based upon a radio interview, I think—I read Susanna Clark’s massive debut novel Jonathan Strange and Mr Norrell. As I recall, the book combines historical fiction and fantasy to tell the tale of two somewhat friendly, rival magicians rediscovering actual, practical magic in 19th-century England. The book calls to mind the Harry Potter series in the sense that this is our world as we know it, but with wizarding world just beneath the surface that breaks through into the open. It recalls Tolkien in the depth and detail of its footnoted backstories.
More than a decade later, I see I did not blog about it, and today I remember little about the plot, other than it involved a young woman tormented by a fairy who drew her, night after night, into his realm to do his bidding. What I recall most was the atmosphere of the book: Clarke’s descriptions of “the man with the thistledown hair” and the world of Faery are terrible and otherworldly—you feel every bit as transported and disoriented as the characters; their thoughts and fears become your own.
I remember thinking highly enough of the book that when I ran across Clarke’s collection of short stories, The Ladies of Grace Adieu and Other Stories, I snapped it up despite the pink flowers on the front. And now, a decade later, I’ve finally read them. Continue reading →