Movie Break: Super 8

Since we first saw ads for it circa 2010, I’ve been wanting to watch the 2011 Spielberg/Abrams sci-fi/suspense movie Super 8. Eleven years later, it’s on our youngest son Trevor’s list of movies to watch this summer, so we made it our Father’s Day, too-hot-to-be-outside choice today.

That was a good call.

The trailer is no lie: This movie evokes movies like E.T. and The Goonies, but with a more menacing edge. Think Iron Giant crossed with A Quiet Place: sweet, nostalgic, suspenseful, and genuinely scary, with enough blood and expletives to earn its PG-13 rating, but not enough to make you change the channel if watching it with your older kids.

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Learning to Live with Myself

In July of 2019, our family caravanned with friends from Michigan out to Glacier National Park to camp and hike and see the sites. It was a wonderful trip, and for the first time, Brendan’s fiancée (now wife) Becky joined us as well.

One of the characteristics of our family that Becky had to adjust to is the constant crackle of wordplay, sarcasm, and verbal violence dealt out among our members. I remember distinctly the first shot I fired across her bow at the dinner table during one of our first few visits with her. She took it well, with a wry smile and a very deliberate “Wow.”—as in, “Okay, so it’s like that now.”

This is not about that, however. This is about the first real shot she fired back.

We were standing around the firepit at the campground at Glacier, and Brendan was complimenting something he had eaten with Becky’s family: venison meat sticks, I think. I was standing just behind Becky, and as Brendan gushed, I stooped to rest my chin on Becky’s shoulder and gave her my best sideways puppy-dog eyes to indicate how much her future father-in-law would appreciate such delicacies.

She took evasive action, as one might in such a circumstance, and with the same wry smile, said, “You know, you’re basically Bruno in human form.”

I opened my mouth to reply, then closed it again.

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Holiday Movie Break: Fatman

It has come to my attention recently that many of the movies I take time to write about I hesitate to wholeheartedly recommend. Sometimes I see a new take on my favorite old stories and genres: westerns and martial arts; sci-fi and time travel; fantasy and fractured fairy tales. They may be thought-provoking, but somewhat strange; often they are objectionable in some way that makes me guard against a full endorsement.

Last fall I caught wind of an upcoming movie called Fatman, featuring Mel Gibson as a world-weary Santa with a price on his head. You may know that I am a big fan of the Man in Red in almost any interation, from the saintly Bishop of Myra to Father Christmas in Narnia to the Right Jolly Old Elf of my own childhood traditions. I imagined a foul-mouthed and violent “bad Santa” bent on revenge of some sort, and I was not a fan of the idea. The trailer suggested I wasn’t far from the truth:

But then somewhere along the way I read a review that suggested it might be a bit more than it appeared. I hemmed and hawed until almost Christmas, when my older kids suggested we watch it. So we did. After the initial viewing, I was concerned that I might actually like the movie. I spoke in hushed tones to the few others I knew who had seen it. Many of them kinda liked it too.

Still, I didn’t write about it. Give it a year, I thought, to see if the novelty wears off.

Well, it didn’t. So here goes.

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A Quiet Place, or the Unbearable Blessing of Parenthood

AQuietPlaceCoverScary movies are not our favorite, but last weekend, Jodi, Gabe and I finally watched A Quiet Place, the unexpected, critically acclaimed monster/thriller from director John Krasinski (best know as quick-witted paper salesman Jim Halpert on the U.S. version of The Office TV series). Rated PG-13, the movie stars Krasinski and his real-life wife Emily Blunt (of Thorp favorites The Adjustment Bureau, Looper and Mary Poppins Returns) as a husband and wife trying to protect their children in a frightful world in which the sounds of day-to-day life are deadly.

Most horror movies and thrillers (honestly, most movies overall) are too violent, profane, explicit and/or gory to garner my attention, but the trailer for this one caught my eye, followed by a number of positive reviews, including this one (with spoilers; don’t read past the first paragraph if you want to view it fresh!) by Bishop Robert Barron in which he called A Quiet Place “the most unexpectedly religious film of the year.” Finally, my son Brendan and his fiancee Becky recommended it to us, and it all became too much: It had to be seen. Continue reading

Call and Response: Embracing the Already of Christ’s Saving Act

Blogger’s Note: This was my final paper for the fourth semester of the Catechetical Institute, “Prayer: The Blessing Given and Received.” In this reflection, we were not only to discuss the final pillar of the Catechism, but the book and Institute as a whole. After two years of study, the Class of St. Padre Pio graduated this evening, following Mass with Bishop Kettler presiding. 

The fourth pillar of the Catechism of the Catholic Church (CCC) calls us to deeper relationship with our heavenly Father who loves us and redeems us by the sacrifice of His Son, Jesus, and the actions of the Holy Spirit in the world today. This relationship is cultivated through the gift of prayer, “a vital and personal relationship with the living and true God” (CCC 2558), approached “‘out of the depths’ of a humble and contrite heart” (CCC 2559). We are creatures, completely dependent on God’s love and mercy, not only for salvation, but for our basic needs, our next breath, our very existence. Even our desire to pray is prompted by the One who desires us, seeks us, spies us from afar and runs to greet us with great joy and love.

As with the previous pillars, I was struck by how much of the “work” of prayer is in God’s hands, not ours. We bear it like a burden at times, but it is He who beckons and inspires, who teaches us what to pray for and in what order (CCC 2763), who knows our needs before we express them and even when we can’t express them. It is He who changes us in prayer, not the other way around. I was also drawn again to His proximity: We sometimes cry out to Him as though He dwells a long way off in Heaven, but that Catechism reassures us that the heaven in which God dwells—“Our Father who art in Heaven”—is less elsewhere and more elseway:

This biblical expression does not mean a place (“space”), but a way of being; it does not mean that God is distant, but majestic. Our Father is not “elsewhere”: he transcends everything we can conceive of his holiness. It is precisely because he is thrice holy that he is so close to the humble and contrite heart.

“Our Father who art in heaven” is rightly understood to mean that God is in the hearts of the just, as in his holy temple. At the same time, it means that those who pray should desire the one they invoke to dwell in them (CCC 2794).

So we are not only immersed in God, but He in us—the Holy Spirit is not only as close as oil on skin, but so thoroughly fills us that, in truth, our only escape from Him is an act of the will in which we reject His love and refuse to turn back to Him. He who has the power to save us desires my salvation more than I do myself! Continue reading