The Poetry of Falling Leaves …

I saw my breath on the trek across campus this morning, the first real sign that the best time of the year is upon us. The leaves have been changing, bit by bit, for a month now – more from lack of water than anything else, and now there’s no lack of that. The slip and patter of droplets from leaf to ground; the plunk! of dislodged acorns and feather-fall of the leaves themselves is music to my over-heated ears. Come frost, and fleece, and wood smoke! Come, October!

Thought I’d share some old stuff to help share the autumnal spirit. I called them poems when I wrote them; a couple I even dubbed haiku, although they’re titled and … well, they’re 17 syllables, 5-7-5, but little else. Call them what you like – I hope you enjoy them.

cornucopia
the hungry need
mornings like this –
the world no longer
black or white, but blue,
red-orange, gold and green,
deep purple, nutty brown
the trees like apples, stood
on their stems, some
like tomatos turning;
melon-ball maples, lemon
poplars, grape sumac –
crisp and abundant and
ripe for the picking

j. thorp
16 oct 02

monarch’s fall
in leaves almost lost
on swirling autumn breezes
the monarch tumbles

j. thorp
20 oct 00

crash
bloodied by the fall
the sumac’s head drips red on
shards of shattered grass

j. thorp
(some frosty october
morning, circa 2001)

I’m working on what my friend might call a real poem – one with rhyme and meter and everything – based on our recent trip to the mountains. Maybe tomorrow…

From Dwight Yoakam to Joy Division?


Warning: Almost none of you will care about this.

I dig Dwight Yoakam. My first year in Connecticut, when I grew tired of police sirens and amber skies at night, I bought “If There Was a Way” on cassette, stretched out underneath an elm on Old Campus, and pretended the squirrels nibbling my shoes were actually Dad’s little pack mule, Willy.

Nobody sounds mournful like Dwight, and he’s somehow cornered the market on balding, homely cool. Plus he appeared in the balcony at the White Stripes concert in Minneapolis a few years back. So he gets bonus points. Too bad he didn’t play that night …

Dwight’s got a great old song called “Coal Miner’s Prayer,” which I’ve loved for years now. Last year, when I started digging into Mike Doughty’s back catalog, I ran across his tune, “Sweet Lord in Heaven,” which is a great little song that seems to borrow heavily from “Coal Miner’s Prayer,” right down to the “sweet Lord in heaven” line. That’s what caught my attention.

Doughty mentions Sam Cooke and Ian Curtis in that song. Cooke I’d heard of; I had to look up Curtis. Which led me to Joy Division (the band for which Curtis was singer and lyricist prior to his suicide) and the point of this ramble.

I tracked down a used copy of Joy Division’s “Unknown Pleasures” disk on eBay and just listened to it (very casually) twice. Dark, brooding, and strangely beautiful. Reminds me of the slogan on the back of an old Soundgarden T-shirt: “Uneasy Listening.”

I was in kindergarten when this record was released, but it doesn’t sound dated to me. Do you music-heads know this band? Other recommendations?

High Country Fishing

So I thought I’d give words a rest and share a few photos from our mountain excursion with our good friend Cowboy Bob, while we’re on the topic.

That’s Jinglebob himself, and a shaggy varmint we’ll call The Kid. I hadn’t realize Bob hadn’t spent much time in this country; his head was turning every which way, trying to take everything in, and he kept shouting “Oohs” and “Aahs” and various expletives, whic was nerve-wracking, since he was driving, too …


Every view a postcard, but the camera won’t do them justice.


The only elk we saw in all of Colorado was this beautiful bull in Estes State Park, comfortably chewing his cud and enjoying his protected status. My dad, uncle, cousin, and a family friend had were hunting elk with black powder rifles south of here – but Bob, the Kid, and I were seeking trout.

We tried fly-fishing and casting spinners and spoons in the Colorado River for a couple of days, to no avail. On the way to the river one day we looked down into the valley to see this train snaking through a stone archway!

On the last day of fishing, we found it: a quiet mountain lake stocked with cutbows – a rainbow/cutthroat cross, I’m guessing. We fished with with worms, spinners, and a jar of salmon eggs a couple of other fishermen left for us. The Kid caught the biggest (and the smallest – poor little thing bit off more than he could chew), and the group caught 13 in all. Pan-fried with salt and lemon-pepper, they were delicious!

I’ll try to post a group shot, but I need to check with our other intrepid fisherman (and his folks) to be sure it’s alright.

Eight Seconds on the Back of Old Labelmaker …

Recently I mentioned to a friend of mine that I’d just returned from a fishing trip to Colorado with my oldest boy, Bren, and another friend, Cowboy Bob.

“You have a friend called Cowboy Bob?” she said. “That’s so cool!”

It is cool, but he’s not actually called Cowboy Bob – leastwise, not by anyone but me and my kids, on occasion. In fact, I just learned a little more than a week ago that he wasn’t entirely enamored of that handle when I used it the first time (and considering we’ve known each other 13 years now, that’s saying something).

I also learned, during the course of this trip, that he wasn’t entirely taken with the notion of meeting me at all. I’d taken a summer job at the world-famous Wall Drug Store after my second year of college – I was assigned to the western boot department (with occasional stints in moccassins; two products about which I knew very little) and worked next-door to Bob’s wife, Cindy, in western wear. We got along pretty well, and apparently she told Bob there was this Yale student working in town that he should meet.

In as close as I can recall to Bob’s own words, here’s what went through his mind at the time: “Yeah, that’s exactly what I need to do: meet some snotty rich kid who thought it’d be a kick to spend a summer in South Dakota.”

But because he “ain’t got no weak nerve nor fear,” he came into town anyway, and spent an evening with us kids picking songs out of his guitar – mainly cowboy songs I enjoyed but didn’t know.* Then he broke into Gordon Lightfoot’s “The Wreck of the Edmund Fitzgerald” – a song I knew, to my own surprise, nearly verse for verse. (I was surprised to hear a shipwreck song on the edge of the Badlands, but just yesterday, another friend described how the great wide open of Lake Superior made him homesick for the Plains, and now it all seems to fit.)

“Now that’s a song from my neck of the woods,” I said when he finished – and just like that, a friendship sprouted. That friendship led to my dad, my three-year-old son and I visiting Bob’s place during a branding back in 2001, and got me to thinking about A) how labels rarely do justice to people, and B) how quickly we make our marks on each other. And I wrote about it, in an essay called Brandings.

I’ll warn you: I tried to write very matter-of-factly about the actual branding, done more or less the “old fashioned” way, with horses, ropes and hot irons. I was surprised, even shocked, at times – but it was clear to me that these men were doing their work in the best way possible. I’ve seen bull calves castrated in a couple ways now, and I can’t see that a tight rubber band and slow withering (or even anesthesia and stitches from some pet vet) would’ve been any less stressful for range-raised critters.

And if your response is that they shouldn’t castrate them in the first place, I’ve got a couple questions about your “companion animals.” If everything checks out with them, I’ll gladly discuss the rest.

By the way, Bob came to terms with the nickname after thinking through who was saying it and how it was meant: equal parts respect and tongue-in-cheek affection. Sort of like the way he still sometimes uses variations of “smart-ass Ivy Leaguer” to describe me …

Here’s the essay. Let me know your thoughts.

—————

* The quoted bit, or something like it, is from Clint Eastwood’s The Unforgiven. Bob can’t remember the phrase, but never tires of getting me to say it. So there you go, my friend.

Saturday Stream of Consciousness

It rained like you wouldn’t believe on my drive home Thursday. On Friday, I e-mailed a friend of mine:

“drove home last night in a torrent; drove in this morning to dramatic skies: great golden cloud formations creating the illusion that … just … there! … is heaven, just beyond that cumulus. unfortunately, i’ve been above clouds like those, and the void you encounter there is far more god-like and far less comforting somehow …”

That’s one of the fascinating things about this faith tradition I’m a part of: It’s Good News, to be sure, but that’s not to say that A) you don’t have to work hard, or B) you won’t fall short no matter how hard you work. The psalmist wrote, “Be still, and know that I am God.” I’ve tried to heed that advice on occasion, and found myself straddling a fine line between absolute comfort and terrifying vulnerability.

This is what my head’s like on Saturdays. Maybe you best come back tomorrow …

Anyway, the comment in the e-mail got me thinking of a poem (of sorts) I wrote some time ago on a trip to Philadelphia. Might be worth a minute …

philadelphia, june 19

the beautiful people
sweep past
the heavy black woman
asleep on the curb;
the arab man, his broom
and old bagels;
the truck double-parked;
or pass the hour
in conversation
over tiny black tables,
small dishes
and drinks.

i watch this one pass—
white capris above
long brown calves,
and a salmon top,
moving with purpose,
phone in hand.
i sit, an accomplice,
no better for my
phone not ringing.
an old man shuffles by,
toothlessly mouthing
soft-serve, and

i remember the flight.
six miles above
this bustle
is imperceptible.
the plane tilts, and
i look past the sky
to the deep blue
ends of the earth,
into the infinite,
and see these tiny things
that consume us
carry little weight.

a tiny heart flutters
about my chest.
god must be a
big-picture man,
I think,
and the gravity is
less somehow.

J. Thorp
19 June 2001

The first few lines of the second stanza bug me today. I was sitting on a bar stool at a burger joint below street level, so I saw this woman legs-first and couldn’t catch her face. Maybe she’s better faceless, though — if the point is the countless comings and goings of ultra-engaged and -engaging people who somehow remain strangers. Best not to second-guess, I guess …

I went to Iceland this past spring for work. Iceland always has dramatic skies, beautiful and terrible. I’ll have to post a few pics from there at some point — if I can recall which computer I dumped them on. Unfortunately, they’re not on this one.

But while I’m on the subject, I should plug an Icelandic musician I’m currently digging. Most folks have heard of Björk, and some know Sigur Rós (a favorite of our glacier tour guide, who had a Sigur Rós playlist programmed for every turn in the winding road) — but the Iceland Review on my nightstand at the hotel featured an interview with Lay Low, a guitar-playing indie-blues singer who reminds me of Madeleine Peyroux, but with less Billie Holliday and little more Björk (that lovely Icelandic lilt) to her voice.

Anyway — check out the article the caught my attention here.

Then visit Lay Low’s MySpace page here to listen to a few tracks.

I’m not sure you can get her disk in the states yet, so you’ll have to hop a plane to Reykjavik. Could be worse …